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TRUE CONFESSIONS

Madonna’s Confessions II is the long-awaited sequel that reminds us why the Rock and Roll Hall of Famer still holds the crown as the Queen of Pop—even if she occasionally stumbles on the way to the throne.

Review by Mac Davis Fleetwood

If you’ve been near West Hollywood recently, you have undoubtedly noticed Madonna. She seems ubiquitous, from surprise appearances at The Abbey and Melrose pop-ups to exclusive billboards dominating Sunset and Santa Monica Boulevards. The hype machine is in full force to promote Confessions II, the album fans have been waiting seven years for since 2019’s divisive Madame X.

As self-professed die-hard fans (who also happen to be metalheads), we felt it was our duty to dissect this release. Madonna, after all, is a rocker at heart. This is an artist who has collaborated with everyone from Ozzy Osbourne to Prince and Lenny Kravitz. It is probably why the Rock and Roll Hall of Fame inducted her in her first year of eligibility (2008)—a feat few achieve.

A Turbulent Entry and a Classic Recovery

Madonna

Confessions II opens with a spoken-word interlude. Clocking in a bit too long, it feels slightly forced—an ode to obvious LGTBQ+ community standbys and drag queens that doesn’t quite provide the “wow” factor of genius openers like “Like a Prayer” or “Erotica.

The real opening, however, is “I Feel So Free.” As the title suggests, this track is the album’s most explicit “confession.” It’s an ode to the dance floor, exploring how getting “into the groove” among like-minded music lovers provides a sense of liberation. Musically, the song is chaotic; it makes you want to sway, but it isn’t groundbreaking.

While nice, this mid-tempo dance number doesn’t quite reach the high-caliber caliber of energy or engrossing hooks found on Madge’s earlier work. It strives for a Donna Summer “I Feel Love” vibe but falls short of being truly hypnotic. It is a good start, albeit one that concludes with more echoed spoken-word.

‘Soul’ Music

The moment you finish the second track, “Good for the Soul,” however, you will fall in love with Madonna all over again. She totally hits the nail on the head here. The grove is intricate, esoteric, and absolutely hypnotic. It’s a stunning blend that pulls from the best of Confessions on a Dance Floor and Ray of Light. The drum rhythms and vocal delivery are masterful, creating a dancing pulse that marks this as a definitive standout. It’s a Massive Attack of awesomeness, making you pause and replay it several times before moving forward.

“One Step Away” follows, a track where the Queen of Pop slamdunks the debate that the dance floor is superficial. Deliciously incorporating brave and extraordinary vocal inflections, this mid-tempo dance groove is wonderfully original. It works equally well for getting butts on the dance floor as it does as a smooth background soundtrack for chilling. (Or for “Netflix and chilling.”)

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NEON ANGEL

In September, the Sunset Strip welcomes back music icon Cherie Currie to rock the Rainbow.

If you were lucky enough to catch Cherie Currie‘s electrifying performance during “Ultimate Jam Night” at the Whisky a Go-Go back in 2023, you already know the woman doesn’t simply perform Runaways songs—she detonates them.

For a couple glorious hours, the Sunset Strip wasn’t in 2023 anymore. It was 1977. The air felt smoky. The guitars sounded louder. The ghosts of platform boots, leather jackets, satin corsets, and teenage rebellion seemed to be hanging around the Whisky like they never left. And honestly, where else could this happen?

Cherie Currie

CHERRY BOMBS AWAY: Cherie Curry at the Whisky, 2023. 🍒

One minute you’re dodging tourists taking selfies outside the Whisky, and the next you’re watching the original voice of one of rock’s most influential all-female bands tear into songs that helped change music history.

Now, Currie is returning to her old Sunset Strip stomping grounds when she co-headlines the Rainbow Bar & Grill’s annual parking lot party on September 6 alongside Stephen Pearcy of Ratt. That’s right—the voice of The Runaways and the voice of “Round and Round” sharing a stage on the Sunset Strip. Somewhere, every cassette tape from 1984 is smiling.

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SLAUGHTER ‘HOUSE’

Rock and roll over laughing with this retro ‘Full Houseclip from the MTV glory days of Slaughter, which headlines the Whisky in August.

While wandering down one of those glorious YouTube rabbit holes where productivity goes to die, we stumbled across this forgotten gem: an early-’90s episode of Full House built around none other than hard-rock heroes Slaughter.

Now, if you’re under 40, there’s a decent chance you’re asking, “Slaughter? Wasn’t that a horror movie?” But in 1990, Slaughter wasn’t just a band. They were everywhere. Mark Slaughter and company exploded onto the charts with their debut album, Stick It to Ya, which sold over 2 million copies and was one of the biggest rock records of the year.

“Up All Night” was the kind of song that made you want to drive too fast with the windows down. “Fly to the Angels” was mandatory listening for every teenager experiencing heartbreak for the first time. And “Spend My Life” was one of those arena-ready sing-alongs that could turn 15,000 people into one giant karaoke machine.

Their videos lived in heavy rotation on MTV—back when MTV’s radical programming strategy involved occasionally showing music videos.

Watching this clip today is like opening a time capsule from an era when big hair ruled, guitar solos were featured in every pop song, and every TV show somehow found a way to shoehorn a rock band into the plot.

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ROCK’S DEEPEST CUTS


From R.E.M.’s ‘Everybody Hurts’ to GN’R’s ‘Sweet Child o’ Mine’ and Zep’s ‘Stairway to Heaven,’ these aren’t just ballads—they’re emotional gut punches wrapped in melody and distortion.

Sunset & Clark rounds up 20 slow-burning anthems that hit as hard as any riff in your metal playlist. Because sometimes, the heaviest thing in rock isn’t the volume, it’s the vulnerability.

#1: ‘Sweet Child o’ Mine’ – Guns N’ Roses

From the opening riff—Slash’s accidental warmup turned iconic melody—to Axl’s soaring vocals, this song is a thunderous love letter. Written for then-girlfriend Erin Everly (daughter of rock legend Don Everly), the relationship didn’t survive—but the song did. It’s a bulletproof ballad that turns sentiment into something seismic. Decades later, “Sweet Child” remains an anthem that proves even the sleaziest L.A. rockers had a soft spot, buried under layers of leather.


#2: ‘Stairway to Heaven’ – Led Zeppelin

Equal parts mythology and heartbreak, “Stairway to Heaven” is a slow climb into something transcendent. Robert Plant’s abstract storytelling meshes beautifully with Jimmy Page’s ascending arrangement—culminating in a solo that feels like a soul exiting the body. It’s spiritual, but not preachy. It’s heavy, but not weighed down.


#3: ‘Right Now’ – Van Halen

Often overshadowed by the band’s party-hard image, “Right Now” is a bold, piano-driven anthem that trades booze and bravado for reflection and social urgency. Sammy Hagar called it “the most serious lyric I ever wrote”—and it shows. This track implores listeners to stop waiting and take action, set against one of Eddie Van Halen’s most emotional compositions. More than a song, it’s a call to live.


#4 & #5: ‘Everybody Hurts’ & ‘Nightswimming’ – R.E.M.

The searing “Everybody Hurts” is the ultimate comfort song for the quietly broken. Strings, restraint, and sheer humanity combine to create one of the most universally healing rock ballads ever recorded–and sung by what is unarguably one of our generation’s greatest and most emotive singers (Sorry, Axl.). Though often associated with singer-songwriter Michael Stipe’s own vulnerability, the lyrics were actually written by multi-talented drummer Bill Berry.

Stipe later admitted to subtly tweaking the phrasing so fans wouldn’t assume the pain was autobiographical—highlighting how deeply he cared about the song’s message reaching listeners, not circling back to him. It’s one of two heartbreakingly tender tracks Stipe helped shape on Automatic for the People—the other being “Nightswimming,” which he did write himself. Equally moving, “Nightswimming” trades direct sorrow for nostalgic ache, and together, the two songs form the emotional core of R.E.M.’s most soul-baring album.


#6: ‘Wasted Years’ – Iron Maiden

Yes, Maiden. Known for epic gallops and fantastic fantasy tales dipped in equal parts evil and energizing, but “Wasted Years” hits different. A rare Adrian Smith–penned introspective cut that reflects on time lost and life on the road. The song’s yearning chorus, Bruce Dickinson‘s raspy and powerful vocals, and twin-guitar harmonies remind us all to stop chasing time and enjoy the moment—metal with a message that even Eddie the Head would support.


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HEAVY METAL ‘PARKING LOT’

Rainbow’s ’Party in the Parking Lot’ reveals full lineup for April 14 concert headlined by Sebastian Bach.

Sunset and Clark broke the news about the Rainbow Bar and Grill‘s much-anticipated free spring show featuring Sebastian Bach, and now, the iconic Sunset Strip venue unveils the full lineup for its 52nd annual “Party in the Parking Lot” on April 14. 

The all-day rock festival happens in the Rainbow’s back parking lot, behind the Roxy, and boasts a stellar roster, including Sunset Strip legends and international heavy metal icons Faster Pussycat along with Powerman 5000, Shark Island, Donnie Vie, Melody Mortal, Villa Nova, and Black Star Sinners

INSIDER TIP: This semi-annual live music event, which takes place at the Rainbow each April and September, has started to get super-packed very early these last couple of years. The previous two events saw long lines forming long before the gates opened. So, get there early, get in, get stamped, and enjoy the in and out privileges.

Rainbow is located at 9050 Sunset Boulevard in the heart of WeHo. Gate opens at 1 p.m. The event is free, but guests are required to prepay for two drinks (around $20). Plus, early arrivals usually get an exclusive event shirt!

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