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ROCK’S DEEPEST CUTS


From R.E.M.’s ‘Everybody Hurts’ to GN’R’s ‘Sweet Child o’ Mine’ and Zep’s ‘Stairway to Heaven,’ these aren’t just ballads—they’re emotional gut punches wrapped in melody and distortion.

Sunset & Clark rounds up 20 slow-burning anthems that hit as hard as any riff in your metal playlist. Because sometimes, the heaviest thing in rock isn’t the volume, it’s the vulnerability.

#1: ‘Sweet Child o’ Mine’ – Guns N’ Roses

From the opening riff—Slash’s accidental warmup turned iconic melody—to Axl’s soaring vocals, this song is a thunderous love letter. Written for then-girlfriend Erin Everly (daughter of rock legend Don Everly), the relationship didn’t survive—but the song did. It’s a bulletproof ballad that turns sentiment into something seismic. Decades later, “Sweet Child” remains an anthem that proves even the sleaziest L.A. rockers had a soft spot, buried under layers of leather.


#2: ‘Stairway to Heaven’ – Led Zeppelin

Equal parts mythology and heartbreak, “Stairway to Heaven” is a slow climb into something transcendent. Robert Plant’s abstract storytelling meshes beautifully with Jimmy Page’s ascending arrangement—culminating in a solo that feels like a soul exiting the body. It’s spiritual, but not preachy. It’s heavy, but not weighed down.


#3: ‘Right Now’ – Van Halen

Often overshadowed by the band’s party-hard image, “Right Now” is a bold, piano-driven anthem that trades booze and bravado for reflection and social urgency. Sammy Hagar called it “the most serious lyric I ever wrote”—and it shows. This track implores listeners to stop waiting and take action, set against one of Eddie Van Halen’s most emotional compositions. More than a song, it’s a call to live.


#4 & #5: ‘Everybody Hurts’ & ‘Nightswimming’ – R.E.M.

The searing “Everybody Hurts” is the ultimate comfort song for the quietly broken. Strings, restraint, and sheer humanity combine to create one of the most universally healing rock ballads ever recorded–and sung by what is unarguably one of our generation’s greatest and most emotive singers (Sorry, Axl.). Though often associated with singer-songwriter Michael Stipe’s own vulnerability, the lyrics were actually written by multi-talented drummer Bill Berry.

Stipe later admitted to subtly tweaking the phrasing so fans wouldn’t assume the pain was autobiographical—highlighting how deeply he cared about the song’s message reaching listeners, not circling back to him. It’s one of two heartbreakingly tender tracks Stipe helped shape on Automatic for the People—the other being “Nightswimming,” which he did write himself. Equally moving, “Nightswimming” trades direct sorrow for nostalgic ache, and together, the two songs form the emotional core of R.E.M.’s most soul-baring album.


#6: ‘Wasted Years’ – Iron Maiden

Yes, Maiden. Known for epic gallops and fantastic fantasy tales dipped in equal parts evil and energizing, but “Wasted Years” hits different. A rare Adrian Smith–penned introspective cut that reflects on time lost and life on the road. The song’s yearning chorus, Bruce Dickinson‘s raspy and powerful vocals, and twin-guitar harmonies remind us all to stop chasing time and enjoy the moment—metal with a message that even Eddie the Head would support.


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MAKING ROCK HISTORY

WeHo prepares to give the Roxy and Rainbow Bar & Grill the iconic status these rock institutions deserve.

The City of West Hollywood’s Historic Preservation Commission will recommend that the City Council approve a Mills Act Contract for two of the city’s most rockin’ cultural icons: the Roxy Theatre and the Rainbow Bar & Grill, both located on the world-famous Sunset Strip’s “Rock Row,” at 9009 and 9015 Sunset Boulevard, respectively.

The Historic Preservation Commission is dedicated to preserving historic structures that represent WeHo’s unique cultural and social heritage. “Protecting these landmarks helps deepen public understanding of the city’s past and ensures that future generations can appreciate its rich history,” says the Commission on its website.

Rock Venues Land a Mills Act Contract

A Mills Act Contract is a legal agreement between the owner of a historic property and the municipality. It allows for lower property tax rates in exchange for the owner’s commitment to undertake specific rehabilitation, restoration, and maintenance work. To qualify, a property must be listed in a historic national, state, county, or city register, be privately owned, and not be tax-exempt.

The Roxy Theatre and the Rainbow Bar & Grill meet these criteria, being listed in West Hollywood’s Register of Cultural Resources and privately owned.

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5 REASONS L.A. ROCKS

Palm trees, Venice Beach and Axl Rose popping up in the middle of a Billy Joel concert…what’s not to love about L.A.?

Of course, there are a million reasons why Los Angeles rocks, but here are five that literally rock!

1. A GN’R legend and pop-rock superstar randomly pop up at Billy Joel’s 2017 Dodger Stadium show.

Dodger Stadium is the only place where you’re ever gonna experience Axl Rose rocking your face off during a surprise appearance at a Billy Joel concert.

Imagine our surprise when we were sitting at the Piano Man’s killer show at Dodger Stadium in May 2017, when one of our other favorite artists, Pink, randomly pops up to perform two numbers: Joel’s classic “New York State of Mind” and her recent hit “Try.” And then the show got even better.

A few songs after Pink appeared, Sunset Strip refugee Axl Rose also showed up and shook the stadium hard with AC/DC‘s “Highway to Hell” and later, Joel’s “Big Shot.” That unique and unexpected performance made us immediately appreciate the consistent unpredictability of Los Angeles.

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SAY GOODBYE TO HOLLYWOOD

Tower Records Sunset is stripped from the world-famous boulevard, with only rockin’ memories left in it’s shadow.

Opened in 1971 and shuddering in 2006 when the company went bankrupt, Tower Records Sunset is unarguably the iconic brand’s most famous outlet.

Situated in the heart of the Sunset Strip’s Rock Row, mere steps from the Whisky A Go-Go, its exterior’s vibrant yellow and red color scheme and huge colorful album cover replicas added to the vibrancy of the world-famous boulevard.

The former record shop at 8801 Sunset Boulevard also hosted some of the most unique rock events, concerts, and record release parties for every superstar from Mariah Carey and Shakira to Ozzy Osbourne and Rob Zombie

Plus, while browsing through the racks at Tower Sunset, it was not uncommon to see rock stars like Henry Rollins and Slash checking out the latest releases.

EX-RECORD STORE ROCKERS: Axl Rose (left) and Rivers Cuomo

Also, future rock superstars like Guns N’ RosesAxl Rose, Weezer‘s Rivers Cuomo, and Green Jelly frontman Bill Manspeaker worked behind the counter at Tower Records Sunset before they moved on to careers headlining arenas.

Once Tower Records Sunset closed its doors forever in 2006, the building was utilized for everything from a pop-up art gallery showcasing work by The Cult guitarist Billy Duffy to interactive walk-through mazes promoting shows like Roswell and the movie Captain Marvel.

Most recently, the Tower Records Sunset location was used as the setting for the Hulu movie Pam & Tommy.

The local landmark is a protected historic institution that somehow ended up completely losing its shell recently thanks to lax protections and a new directive by its new retail proprietors.

Earlier this week crews began dismantling the walls and famous storefront. Despite its historic value, the building was forever changed and is unrecognizable as the famous yellow and red square building that was an unforgettable part of the Sunset Strip cityscape since the early Seventies.

Popular clothing and sneaker shop Supreme is the space’s new proprietor. It’s kind of ironic that in order to showcase their mammoth sneaker shop, Supreme completely removed the sole, er soul of the Sunset Strip.

Bringin’ Out the Big ‘Guns’

REVIEW: VIPER ROOM’S APPETITE TRIBUTE SATIATES GN’R FANS

Last night, it felt like the Viper Room froze July 1987 in time. The GN’R tribute show was far superior to the show Axl Rose and his GN’R Part Deux gave at the Forum a few months back. The Room rocked with a great house band, the awesome Lonely Drunks Club Band (right) and six different singers from L.A.’s hottest local bands.

It was also very cool to spot members of our favorite L.A. band, Warner Drive, including frontman Jonny Law and bassist Elvis James, checking out the show.

In addition to the kick-ass Lonely Drunks Club Band, Brando’s Island (left) really stood out in the night’s multiband lineup and had the place groovin’ to a fantastic set of original tunes before frontman Brandon Wardell later grabbed the mic during the GN’R tribute for a couple more powerhouse performances.

Throughout the tight set of spot-on covers of classics like “Welcome to the Jungle” and “Sweet Child O’ Mine,” Wardell and the various singers chatted between songs about how GN’R’s major label debut changed their lives, including one who said he was 10 when the album dropped! Another mentioned that he was 12 when Appetite debuted! Doh!

Despite how great all of the Axl imitators were, it’s doubtful anyone on stage can remember what Rose looked like before the Botox and cornrows.

But they all perfectly captured W.A.R.’s vocal inflections, held the mic the same way, whipped their hair back and forth like him and, of course, when the band did “Paradise City,” the ENTIRE ROOM broke into the serpentine dance. It was a very cool, fun Spinal Tap-like experience.

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Guns N’ Roses Return to Sunset…Sorta

Sun Sets on Tower Video

Tower Video - 2012

SUNSET STRIP LANDMARK & EARLY GN’R HAUNT BECOMES RUBBLE

Axl Rose - SlashIconic Sunset Strip landmark Tower Video, the timeless neon-lit hub of hipster activity that was the main spot to head to for concert tickets and music videos, has become a pile of rocks. Earlier this month crews began to deconstruct the famous spot that once employed a pre-rock star Axl Rose as its night manager and Guns N’ Roses bandmate Slash as a counter clerk.

In the fall of 2006, as Internet music piracy and iTunes began to claim their stake on the Net, Towers’ chain of music and video stores filed for bankruptcy after 46 years as the go-to place for discovering exciting new bands and picking up tickets to L.A.’s hottest shows.

Tower Sunset Video Parking LotTower Video was located at 8844 Sunset at Larrabee, across the street from the defunct Tower Records. The split-level video store also served as a concert ticket venue, classical music annex and sold rock novelties. The store’s small back parking lot, where the photo on the left, of Tower Video rubble, was snapped, is the infamous location where Rose once challenged Motley Crue frontman Vince Neil to a fight over some trash talk. The incident sparked the singers’ well-publicized, longstanding feud.

R.I.P. Tower Video.

Check out what remains of the landmark location as it becomes rock and roll rubble.

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